展覽介紹

艸雨田舞蹈劇場透過『舞蹈作品』關注社會艸雨田自2017年成立以來，創作主題從對社會議題的思索、生命經驗的探索，再到臺灣文化與地方文史故事的再詮釋等，持續以身體表述叩問時代，並透過與不同的編舞家合作，探索舞蹈劇場美學不同層次的表現形式。近年作品如《遺屋》直面「孤獨死」議題，帶領觀眾一同關注那些自社會安全網縫隙墜落、無聲消逝的生命；臺法國際共製《親密近地》，則與法國編舞家 Ole Khamchanla 共同探問人際之間的疏離與冷漠，以及個人與群體之間何謂適切的距離。這些對社會的關懷始終存在艸雨田的創作基因之中，今年推出的全新作品【社會顯像】，從單一議題的深耕，走向對當代現象的宏觀凝視，與觀眾共思我們正在經歷的種種社會現象。 LEI Dance Theater Keeps Engaging the Society through Dance Work Since 2017, LEI Dance Theater has questioned our times through the body, from social issues and lived experience to Taiwanese culture and local history. Recent works include The House (遺屋), on “lonely death” and lives that vanish through the gaps in the social safety net; and the Taiwan–France co-production Proximities (親密近地), with Ole Khamchanla, on alienation and the right distance between individual and group.Social concern is in LEI’s creative DNA. This year’s Social Manifestations widens from a single issue to a broader gaze at contemporary society, inviting audiences to reflect together. 艸雨田2026 年度製作-新竹首演【社會顯像．三舞作】鄭伊雯   x  田孝慈   x   Or Marin (奧爾．瑪琳)鄭伊雯《人工天堂的止痛藥》以肉身為戰場，將追星狂熱、自我剝削與情緒勞動深刻交織；表演者既是冷酷解構體制的講者，又是渴望被拯救的功績主體。在肌肉的喘息與擬社交光影的對撞間，揭示倦怠社會的孤獨，以追星作為心理補償，探問「明知是幻覺，卻不得不依賴」的成癮性。 ⽥孝慈作品《末⽇正在》，將「末⽇」從宏觀的災難想像，拉回極度微觀的當代⽣活經驗。凝視隱伏於⽇常秩序裡的斷裂與崩解⽚刻，透過身體姿態的解構與重組，積累為劇烈的身體與內在晃動，直指正在安靜發⽣的進⾏式末⽇。 來自以色列的Or Marin作品《自我的變奏》釋放被放大的「第二自我」(alter ego)，運用聲音與身體交織出多重自我。 三位中生代女性編舞家對當代社會的三種凝視三位風格迥異的編舞家，各自以自身的生命經驗與創作語言回應同一個時代命題 𝗟𝗘𝗜 𝗗𝗮𝗻𝗰𝗲 𝗧𝗵𝗲𝗮𝘁𝗲𝗿 𝟮𝟬𝟮𝟲 𝗣𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻: “𝗔 𝗧𝗿𝗶𝗽𝗹𝗲 𝗕𝗶𝗹𝗹 𝗼𝗳 𝗦𝗼𝗰𝗶𝗮𝗹 𝗠𝗮𝗻𝗶𝗳𝗲𝘀𝘁𝗮𝘁𝗶𝗼𝗻𝘀”Yi-Wen Cheng  x Hsiao-Tzu Tien x Or Marin  𝖳𝗁𝗋𝖾𝖾 𝖿𝖾𝗆𝖺𝗅𝖾 𝖼𝗁𝗈𝗋𝖾𝗈𝗀𝗋𝖺𝗉𝗁𝖾𝗋𝗌 𝖿𝗋𝗈𝗆 𝖳𝖺𝗂𝗐𝖺𝗇 𝖺𝗇𝖽 𝖨𝗌𝗋𝖺𝖾𝗅, each with different choreographic style and bodily language of her own, respond to the collective emotion of our time.T𝗁𝗋𝗈𝗎𝗀𝗁 𝖿𝖺𝗇𝖽𝗈𝗆, 𝗌𝗈𝖼𝗂𝖺𝗅 𝖼𝗈𝗇𝖿𝗈𝗋𝗆𝗂𝗍𝗒, 𝖺𝗇𝖽 𝖺𝗅𝗍𝖾𝗋 𝖾𝗀𝗈𝗌, 𝗍𝗁𝖾𝗒 𝖾𝗑𝗉𝗅𝗈𝗋𝖾 𝗁𝗈𝗐 𝖼𝗈𝗇𝗍𝖾𝗆𝗉𝗈𝗋𝖺𝗋𝗒 𝗌𝗈𝖼𝗂𝖾𝗍𝗒 𝗌𝗁𝖺𝗉𝖾𝗌 𝗈𝗎𝗋 𝗂𝖽𝖾𝗇𝗍𝗂𝗍𝗂𝖾𝗌, 𝖽𝖾𝗌𝗂𝗋𝖾𝗌, 𝖺𝗇𝖽 𝖻𝗈𝖽𝗂𝖾𝗌. 𝗬𝗶-𝗪𝗲𝗻 𝗖𝗵𝗲𝗻𝗴．Placebo Paradise  𝖳𝗁𝖾 𝗅𝗈𝗇𝖾𝗅𝗂𝗇𝖾𝗌𝗌 𝖺𝗇𝖽 𝖺𝖽𝖽𝗂𝖼𝗍𝗂𝗈𝗇 𝖻𝖾𝗁𝗂𝗇𝖽 𝖿𝖺𝗇𝖽𝗈𝗆. 𝗛𝘀𝗶𝗮𝗼-𝗧𝘇𝘂 𝗧𝗶𝗲𝗻．Doom in Progress𝖳𝗁𝖾 𝖻𝗈𝖽𝗒 𝖺𝗌 𝗋𝖾𝗌𝗂𝗌𝗍𝖺𝗇𝖼𝖾 𝗍𝗈 𝖼𝗈𝗇𝖿𝗈𝗋𝗆𝗂𝗍𝗒. 𝗢𝗿 𝗠𝗮𝗿𝗶𝗻． 𝗩𝗮𝗿𝗶𝗮𝘁𝗶𝗼𝗻𝘀 𝗼𝗳 𝗦𝗲𝗹𝗳A𝗅𝗍𝖾𝗋 𝖾𝗀𝗈𝗌 𝖾𝗑𝗉𝗅𝗈𝗋𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗏𝗈𝗂𝖼𝖾 𝖺𝗇𝖽 𝗆𝗈𝗏𝖾𝗆𝖾𝗇𝗍. 編舞家 鄭伊雯   (臺灣)自2024年起與艸雨田展開合作，推出作品《遺屋》，將抽象的「孤獨死」社會議題轉化為舞蹈劇場形式，以細膩而具體的文本對白及身體敘事觸動觀眾，2026年 《遺屋》更受邀桃園鐵玫瑰藝術節。其他經歷: 2025-2026 年 擔任【臺北白晝之夜】表演藝術總監2018年迄今，「人尹合作社」藝術總監曾在泰國Burapha Univeristy 教授現代舞，也曾在法國巴黎The Cité Internationale des Arts擔任駐村藝術家Choreographer Yi-Wen Cheng (Taiwan)Since 2024, she has worked with LEI on The House, turning the abstract issue of “lonely death” into dance theater through delicate spoken text and bodily narrative. The House was invited to the 2026 Taoyuan Iron Rose Arts Festival.2025–2026: Performing Arts Director, Nuit Blanche Taipei2018–present: Artistic Director of  Zen-Yi  ProductionTaught modern dance at Burapha University, Thailand; artist-in-residence, Cité Internationale des Arts, Paris 編舞家 田孝慈 (臺灣)臺灣臺南。⾃由藝術⼯作者，近年專注於觀察時代、歷史、⽂化與環境如何形塑個體情感與集體意識，以及內在情感如何在權⼒、記憶與⽇常之中被建構與表現，並以身體作為詮釋的主要媒介。2019年與王世偉、李慈湄、Helmi Fita共創作品《群眾》於於松菸LAB新主藝發表，獲 2020 年第⼗八屆台新藝術獎表演藝術⼤獎2018年獲羅曼菲獎助金參與澳洲墨爾本ART HOUSE策劃之TIME PLACE SPACE-NOMAD國際藝術家交流活動2017年獲得「雲門舞集創計畫」獎助2016 年獲⽂化部⽀持赴亞維農舞蹈中⼼「夏⽇藝術節」演出《洞》Choreographer Hsiao-Tzu Tien (Taiwan)An independent artist, creating and performing. Her recent work observes how an era, history, culture and environment shape human emotion, and how that emotion takes form through the body. While looking at the fear and desire in life, she also searches for the many ways out.2019: Co-created the work “Crowd” with Wang Shih-Wei, Lee Tzu-Mei and Helmi Fita, performed at the Autumn Arts Festival; won the Grand Prize for Performing Arts at the 18th Taishin Arts Award (2020)2018: Supported by Lo Man-Fei Fellowship; took part in TIME PLACE SPACE – NOMAD, an international artist exchange curated by ART HOUSE, Melbourne2017: Grant from Cloud Gate’s “Creation Project”2015: The work “Hole” was nominated for the 14th Taishin Arts Award 編舞家 Or Marin 奧爾・瑪琳  (以色列)艸雨田舞蹈劇場於2025年擔任【漂鳥舞蹈平台】合作單位，看見Or Marin透過一只口琴，將舞蹈與肢體化為樂器，展現充滿親密張力、同時帶有詼諧幽默，令人目不轉睛的雙人舞作品《Breathe with Me a Moment》(中譯:瞬息與共)，於是啟動了 艸雨田下一個國際藝術家委託創作篇章。Or Marin作品屢獲獎項肯定並全球巡演。      2023年鹿特丹國際雙人舞編舞競賽(RIDCC)入圍作品      2022年西班牙大加那利島MASDANZA國際舞蹈節最佳編舞第三名2005 年創立「奧爾瑪琳舞團」，亦創辦三年專業計畫「RE-SEARCH」。現居葡萄牙籌建舞蹈中心。瑪琳作品以獨特視覺美學、人聲文本運用、融合當代舞與表演藝術聞名，追求元素總體性以創造完整體驗。 多年來，其獨舞至群舞、影像及特定場域等多元創作，於以色列與國際展演，舞團獲以色列文化部支持，為「以色列編舞家協會」常任會員。Choreographer Or Marin (Israel)LEI is a partner of Stray Birds Platform, and discovered Or Marin through her duet “Breathe with Me a Moment”, in which a single harmonica turns dance and body into an instrument: intimate, tense, witty and riveting. It launched LEI’s next chapter of commissioning international artists. Her works have won awards and toured worldwide.2023: Finalist, Rotterdam International Duet Choreography Competition (RIDCC)2022: Third place, Best Choreography, MASDANZA International Dance Festival, Gran Canaria, SpainShe founded the Or Marin Dance Company in 2005, and created the three-year professional program RE-SEARCH. Based in Portugal, her work is known for its distinctive visual aesthetic, its use of voice and text, and its blend of contempo