展覽介紹

虛實孿生的當代數位神殿 《茉莉．獻舞》是由泰國祭祀傳統舞蹈還願舞所啟發的全新創作，作為人間和神明之間互通橋梁所賦予重任的舞者，不僅是最優秀的，也讓信徒的祈禱願望成真。 Rum-Kea-Bon又稱為還願舞，是超過四百年歷史的泰國傳統民俗舞蹈之一，所代表著虔誠信仰與信眾的心願。還願舞起源於大街小巷廟宇文化，隨著年代不斷演變與適應，變成現今泰國不可或缺的社會與文化傳統之一。 孔坎．朗莎旺所創作之《茉莉．獻舞》完美融合了擴增實境、虛擬實境和舞蹈之間的混合呈現，邀請參與者於這場沉浸式演出中於數位神殿前許願。舞者朗莎旺遊走於現實和虛擬介面中，透過舞蹈向神明傳達每一位參與者的願望與夢想。當願望達成後，朗莎旺也會獻上舞蹈以表達感謝之心。演出中參與者透過動物和花束作為虛擬供品，以對神明表達謝意。當所有供品逐漸累積，數位神殿的香火也同時更加鼎盛、越顯活力。在《茉莉．獻舞》中，信仰宛如一股流動的脈動，貫穿於經濟與生態、影像與聲響之間，也交織在新與舊、日常與超越之境。 A Digital Shrine of Mixed Virtual and Reality Mali Bucha: Dance Offering is a creation inspired by the ancient Thai Ritual 'Rum-Kea-Bon' where dance is a negotiation tool between human and higher beings for making our wishes come true. The most charming dancer - hired as a messenger from the people to higher beings - is able to enhance the likelihood of one's wish fulfillment. 'Rum-Kea-Bon', a 400-years-old vernacular folk form, is effectively a 'people's dance' and a space of aspiration and spirituality. Taking place in shrines commonly found at street corners, 'Rum-Kea-Bon' (literally translated as 'dance offering') has constantly evolved and adapted itself as a social and cultural practice in Thailand. Kornkarn RUNGSAWANG's Mali Bucha: Dance Offering is a hybrid constellation of augmented reality (AR), virtual reality (VR) and dance. In this immersive iteration of 'Rum-Kea-Bon', audience-participants cross between physical and immaterial worlds as they are invited to make wishes before a digital shrine. As an interface, RUNGSAWANG shifts between the real-time audience and the digital portal, communicating individual hopes and wishes via dance to higher beings. She also conveys dance as thanksgiving when someone's wish is fulfilled. Animals and flowers abound as digital currencies - they are offered by the audience as tokens of aspiration and appreciation. The collective investment of the audience community gradually builds up the vitality of the digital shrine. The belief system in Mali Bucha: Dance Offering is constituted by a current flowing through economics and ecology, image and sound, old and new, the mundane and the transcendent. 演出暨製作人員名單 創作概念，編舞，演出舞者｜孔坎．朗莎旺音效設計｜唐在燈光設計｜三浦麻子戲劇構作｜鄧富權舞台監督｜葉淑慧 虛擬實境(VR)及影像設計｜松見拓也，原淳之助虛擬實境(VR)及影像執行｜Panithi MAKTHIENGTRONG 服裝設計｜Manit THEPPAIMAPORN, Kanapoot VIRUTTANACHAI製作人｜Sojirat SINGHOLKA舞團巡演經理｜Kanpong THAWEESUK Concept, Choreography and Dance｜Kornkarn RUNGSAWANGSound Designer｜TANG Zai Lighting Designer｜Asako MIURADramaturgy｜TANG Fu KuenProduction Stage Manager｜YAP Seok HuiVR & Video Designer｜Takuya MATSUMI & Junnosuke HARAVR & Video Operation｜Panithi MAKTHIENGTRONGCostume Designer｜Manit THEPPAIMAPORN, Kanapoot VIRUTTANACHAI Producer｜Sojirat SINGHOLKACompany Touring Management｜Kanpong THAWEESUK ※《茉莉．獻舞》為新加坡濱海藝術中心委託製作，日本城崎國際藝術中心共同製作。※駐村創作及前期研發支持：泰國象劇場、皮歇‧克朗淳舞蹈團，新加坡Dance Nucleus舞蹈中心，德國美茵茲Tanz Kongress，印尼舞蹈節，臺灣蒂摩爾TJIMUR藝術生活節，日本城崎國際藝術中心。※Mali Bucha: Dance Offering is a commission of Esplanade – Theatres on the Bay (Singapore / SG), in co-production with Kinosaki International Arts Center (Toyooka / JP).※The project also benefited from residency and research support from Chang Theatre & Pichet Klunchun Dance Company (Bangkok / TH), Dance Nucleus (Singapore / SG), Tanz Kongress (Mainz / DE), Indonesian Dance Festival (Jakarta / ID), Tijmur Arts Festival (Pingtung County / TW), and Kinosaki International Arts Center (Toyooka / JP) 演出團隊介紹 舞蹈家｜孔坎．朗莎旺泰國古典和當代舞舞者孔坎．朗莎旺出生於1988年，從小接受各種泰國傳統舞蹈訓練，從宮廷舞到民間舞蹈均有所涉獵。身為新生代的舞者之一，她致力於結合傳統與當代舞蹈，所傳承的舞蹈和肢體動作就如同歷史文獻般深厚。朗莎旺在當代與都市環境當中，讓泰國古典舞蹈的肢體動作系統重新啟動，讓舞蹈可在作為一種理念時，透過與現代社會、文化與精神信仰當中被真實呈現在觀眾眼前。 自2010年起成為皮歇．克朗淳舞團全職成員，並在他的帶導下繼續個人創作。曾獲亞洲文化協會（ACC）個人獎助至北卡羅萊納美國舞蹈節參與國際編舞家住村計畫。 《茉莉．獻舞》自疫情（2021）開始發展至今，探討傳統儀式、宗教與科技中的交會點。該作品於2023年10月在新加坡海濱藝術中心首演後，持續在世界各地巡演，當中包括曼谷、新加坡、日本、德國、印尼和臺灣等地。 Dance Artist｜Kornkarn RUNGSAWANGKornkarn RUNGSAWANG (b.1988) is a Thai classical and contemporary dancer. She represents a new generation of dance artists bridging tradition and contemporary. ​Trained in diverse Thai traditions, from royal court to folk, her practice is grounded in embodied knowledge, treating the body as both archive and site of inquiry. She reactivates Thai classical kinesthetic systems within contemporary and urban contexts, approaching embodiment as a mode of thinking and engaging with social, cultural, and spiritual conditions. Since 2010, she has been a full-time member of Pichet Klunchun Dance Company (PKDC) under the mentorship of choreographer Pichet KLUNCHUN, while developing her own independent works. She received the acclaimed Asian Cultural Council (ACC) Individual Fellowship in the United States and participated in the International Choreographers Residency program at the American Dance Festival in North Carolina. Mali Bucha: Dance Offering (2021–present), developed during the pandemic, explores intersections of ritual, spirituality, and technology. Presented in Bangkok, Singapore, Japan, Germany, Indonesia, and Taiwan, it premiered at Esplanade – Theatres on the Bay, Singapore in October 2023 and continues touring international