展覽介紹

穿梭於舞蹈、現場音樂與障礙藝術（disability art）之間，我們試著感知一種未來的關係。 《永動城市》由滯留島舞蹈劇場、美國障礙藝術團隊Kinetic Light與音樂藝術家 ONIKHO 共同創作，以障礙文化（disability culture）、現場音樂與舞蹈交織出一座不斷生成的未來城市。作品不是對未來的單向想像，而是在跨文化共創中，讓不同感知邏輯、聲響結構與身體語彙共同構成舞台世界。 作品設定於幾十年，甚至百年後的未來社會。當科技飛速發展，愛或許不再只是私密而自然的情感經驗，而可能成為一種被控制、被調節，甚至被「優化」的狀態。但如果愛可以被控制，它是否仍然可能失控？而那些失控的瞬間，究竟來自人的本能，還是來自我們所處的環境？也許，未來的情感正存在於這樣的矛盾之中。 《永動城市》穿梭於舞蹈、現場音樂與障礙藝術之間，透過不同身體、聲音與感知方式的交會，形塑一座流動中的未來城市。在這裡，可及性（access）不是附加條件，而是創作核心；科技不只是工具，而是重新編排關係與感受的方法。作品以身體為起點，探問民主、自由、愛與控制之間的張力，並持續追問：民主，是否仍意味著去愛的自由？ 《永動城市》國際共製版將於衛武營「2026臺灣舞蹈平台」世界首演。【《永動城市》之可及性環境（access culture）】 觀眾可依自身需求，於歌劇院觀眾席一樓指定範圍內選擇座位；演出進行中亦可依個人需求更換座位，或由前台人員引導至安靜空間休憩。移動過程中，敬請儘量避免影響其他觀眾觀演。 本演出提供之可及性服務（access services）包括： ·  Audimance多軌口述影像 ·  Haptics觸覺回饋裝置 ·  易讀版節目資訊 ·  聽打服務 ·  現場手語翻譯 ※Audimance多軌口述影像服務 Audimance透過不同音軌內容，提供多種口述影像體驗，包括較為常規的動作描述、詮釋性聲響、舞者錄音、詩意文本及另類描述方式。 ＊購票觀眾可透過主辦方提供之連結，於演出前下載 Audimance App，並於驗票入場後連接指定 Wi-Fi 使用。觀眾可依個人選擇於演出中聆聽 Audimance 體驗演出，並敬請自備耳機。 ※Haptics觸覺回饋裝置 Haptics提供「多層次的觸覺音樂」體驗，透過科技將音樂的節奏、強度與動態轉譯為可由身體感知的震動訊號，讓觀眾以另一種方式感受聲音。此一觸覺詮釋結合新的實體裝置與方法，開啟對藝術內容的理解與創作的不同途徑。 ＊觀眾入場時請於歌劇院二樓大廳服務台領取觸覺回饋裝置。因數量有限，敬請提早抵達現場登記。 Moving through dance, live music, and disability arts, we try to sense a relationship of the future. Eternal City is co-created by Resident Island Dance Theatre, U.S. disability arts company Kinetic Light, and music artist ONIKHO. Weaving together disability culture, live music, and dance, the work builds an ever-evolving future city. Rather than offering a one-directional vision of the future, the piece creates a staged world through cross-cultural collaboration, where different sensory logics, sonic structures, and embodied vocabularies come together. Set decades—or even a century—ahead, the work imagines a future society shaped by rapid technological development. In such a world, love may no longer remain a private and organic emotional experience, but instead become something controlled, regulated, or even "optimized." But if love can be controlled, can it still spiral out of control? And when it does, do those moments come from human instinct, or from the environments we inhabit? Perhaps the emotions of the future will exist within precisely this contradiction. Moving through dance, live music, and disability arts, Eternal City shapes a future city in motion through the meeting of different bodies, sounds, and sensory experiences. Here, access is not an add-on but a core creative principle; technology is not merely a tool, but a way of reorganizing relationships and feeling. Beginning with the body, the work explores the tensions among democracy, freedom, love, and control, and continues to ask: can democracy still mean the freedom to love? The international co-production version of Eternal City will have its world premiere at the 2026 Taiwan Dance Platform at Weiwuying.[Access culture of Eternal City] Audience members may choose their seating in the designated auditorium area on the first floor of the Opera House. Audience members are allowed to change their seats during the performance according to their own needs, or leave the auditorium and follow the guidance of Front House to a low sensory space backstage. Please minimize the influence on others when moving during the performance. Access services: · Audimance multi-track audio description · Haptic devices · Easy-read program information · Communication Access Realtime Translation (CART) · Live sign language interpretation Audimance multi-track audio description Audimance is designed to deliver multiple audio descriptions to the users including reasonably conventional movement description, non-textual (interpretive sound or recorded dancer sound), artistic or alternative description. ＊Audience members will be able to download this Audimance App through the links provided by the organizer prior to the performances.You may connect to the designated Wi-Fi network when entering the Opera House and listen to the content during the performances based on your needs and preferences. Please prepare your own headphones when adopting this service. Haptics devices Haptics offers a symphony of touch. Through technology, the music’s rhythm, intensity, and dynamics are translated into vibrations that can be felt through the body, providing another way of receiving sound. This haptic interpretation includes new physical devices and new methods for understanding and creating artistic content. ＊Audience members may register and collect the device on the 2F of Front House. Due to the limited number of these devices, it will be available on a first-come, first-served basis. 演出暨製作人員名單藝術總監暨編舞：張忠安、方士允國際共創夥伴：Kinetic Light（美國）、ONIKHO（Carina HO，美國）協作編舞：Alice SHEPPARD、Laurel LAWSON可及性科技設計：Laurel LAWSON可及性科技工程師：Colin CLARK可及性文化與創意顧問：Haowen WANG音樂設計及作曲：ONIKHO、謝心玲、曾華萱、Holly MEAD、Matthew TORRES、Morgan WHITNEY現場音樂演奏：ONIKHO、謝心玲、Holly MEAD、Matthew TORRES舞者：Alice SHEPPARD、Laurel LAWSON、方士允、阮怡蓁、黃怡嫣、鄭祐承、陳温亮、賴廷彥、潘宥睿燈光設計暨舞台監督：蔡馨瑩道具設計：許志偉服裝設計：王立宇製作人：蕭淑琳藝術行政：康書瑄排練助