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賽門.拉圖爵士與巴伐利亞廣播交響樂團
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📣【公告】賽門.拉圖爵士與巴伐利亞廣播交響樂團席次加開 感謝觀眾熱烈迴響,本節目票券已全數售罄,將於2026/6/22(一)12:00於「OPENTIX兩廳院文化生活」售票平台限量加開席次。 【加開席次購票須知】 本次加開席次包含部分特殊區域,為保障您的觀賞體驗,請於購票前詳閱以下說明並斟酌選購: ◆管風琴聲響過大區 本座位鄰近管風琴,於本節目部分使用管風琴演奏之段落時,現場音量可能較大,請於購票前留意並斟酌選購。 ◆合唱席 本座位屬於合唱席區域,於聲樂演唱段落時,無法觀看同步字幕,請於購票前留意並斟酌選購。 「生命是什麼?死亡又是什麼?」馬勒在第二號交響曲《復活》第一樂章留下的註解,是永恆的哲學思辨。這部長約九十分鐘,動員逾二百人的交響鉅作,不僅是音樂史上的指標性作品,也是許多重要時刻的載體:巴伐利亞廣播交響樂團即以此曲向已故前任指揮楊頌斯致敬,而對賽門.拉圖爵士而言,這是他指揮生涯的座標。 1973年,18歲的拉圖在倫敦皇家音樂學院以《復活》開啟指揮之路;1987年與伯明罕市立交響樂團的錄音令他成名天下;2022年,在即將卸任倫敦交響樂團之際,《復活》再次響起。「這部作品包含了整個世界」,拉圖以這部作品傳達出他對現代社會的深層關懷。經過半世紀的淬鍊和體悟,如今,大師即將帶著他的「人生之曲」踏上臺灣,與巴伐利亞廣播交響樂團重啟這場對生命意義的質問,至於會迸發出什麼新的馬勒觀?答案,就在衛武營! "What is life? What is death?" — the annotation Gustav MAHLER left at the opening of the first movement of his Symphony No. 2, Resurrection, remains an eternal philosophical inquiry. Lasting approximately ninety minutes and requiring more than two hundred performers, this monumental symphonic work stands not only as a landmark in music history but also as a vessel for moments of profound human significance. The Bavarian Radio Symphony Orchestra (BRSO) has performed it in tribute to their late former Chief Conductor Mariss JANSONS, and for Sir Simon RATTLE, it has long served as a defining coordinate of his artistic life. In 1973, at the age of 18, RATTLE launched his conducting journey with Resurrection at the Royal Academy of Music in London. His 1987 recording with the City of Birmingham Symphony Orchestra brought him international acclaim. In 2022, as he prepared to conclude his tenure with the London Symphony Orchestra, the work returned once more. For RATTLE, this piece contains the human emotions in the whole world, using MAHLER's vast canvas to express his deep concern for the condition of modern society. Forged through half a century of insight and transformation, the maestro now brings his "life's score" to Taiwan. With the BRSO, he rekindles MAHLER's timeless question of existence itself. What new MAHLER will emerge from this moment? The answer lies at Weiwuying. 曲目 Program馬勒:c小調第二號交響曲《復活》G. MAHLER: Symphony No. 2 in c minor Resurrection 演出人員名單指揮:賽門.拉圖爵士女高音:露西.克洛次女高音:凱倫.卡吉爾巴伐利亞廣播交響樂團台北愛樂合唱團 Conductor: Sir Simon RATTLESoprano: Lucy CROWEMezzo-soprano: Karen CARGILLBavarian Radio Symphony OrchestraTaipei Philharmonic Chorus 藝術家介紹指揮|賽門.拉圖爵士憑藉迷人的魅力、深厚的熱情、強烈的實驗精神,以及面對藝術一絲不苟的嚴謹態度,賽門.拉圖爵士無疑是當今最令人著迷的指揮家之一。他曾擔任伯明罕市立交響樂團與柏林愛樂的首席指揮,以及倫敦交響樂團的音樂總監;自2023/24樂季起,他接任巴伐利亞廣播合唱團及交響樂團的首席指揮。拉圖曾獲得多項重要榮譽,其中包括德國西門子音樂大獎;他與巴伐利亞廣播交響樂團合作發行的多張唱片亦屢獲殊榮。 Conductor|Sir Simon RATTLEWith his captivating charisma, deep enthusiasm, great love of experimentation and meticulous artistic seriousness, it is no surprise Simon RATTLE is one of the most fascinating conductors of our time. He was Chief Conductor of the City of Birmingham Symphony Orchestra and the Berlin Philharmonic, as well as Music Director of the London Symphony Orchestra, and has been Chief Conductor of the BR Chorus and the BRSO since the 2023/24 season. Simon RATTLE has received numerous prestigious honors, including the Ernst von Siemens Music Prize. Several of his CDs released with the BRSO have received awards. 女高音|露西.克洛被譽為同世代中最多才多藝的歌手之一,露西.克洛於2023年獲頒大英帝國官佐勳章。她自在悠遊於歌劇、音樂會或獨唱會舞台上,並經常與世界頂尖的歌劇院、樂團及指揮合作,演出橫跨巴洛克時期至20世紀的曲目。在2025/26樂季中,她將重返柯芬園皇家歌劇院,於歌劇《魔笛》中飾演帕米娜,並於英國國家歌劇院首度演出歌劇《女人皆如此》中的費奧迪麗姬。在音樂會方面,她將與亞尼克.聶澤—賽金及費城管絃樂團合作,並與拉斐爾.帕亞雷及蒙特婁交響樂團同台。作為備受讚譽的錄音藝術家,她曾獲葛萊美獎及BBC音樂雜誌獎的提名。 Soprano|Lucy CROWERegarded as one of the most versatile singers of her generation, Lucy CROWE was awarded an OBE in 2023. Equally at home in opera, concert, and recital, CROWE appears regularly with the world's leading opera houses, orchestras, and conductors, with repertoire spanning from the Baroque to the twentieth century. In the 2025/26 season, CROWE returns to the Royal Opera, Covent Garden for Pamina in Die Zauberflöte, and the English National Opera for her role debut as Fiordiligi inCosi fan tutte. On the concert stage she sings with Yannick NÉZET-SÉGUIN and The Philadelphia Orchestra and the Montreal Symphony with Rafael PAYARE. An acclaimed recording artist, she has received Grammy and BBC Music Magazine nominations. 次女高音|凱倫.卡吉爾凱倫.卡吉爾是當代頂尖歌手之一,以令人目眩神迷的嗓音備受讚譽,擁有「如糖漿般濃郁的中音域」以及「飽滿而豐富的高音」,經常與指揮家賽門.拉圖爵士、丹尼爾.哈丁、亞尼克.聶澤—賽金、羅賓.蒂恰提、拉斐爾.帕亞雷以及愛德華.加德納合作。她在2025/26樂季的重點節目包括於加拿大歌劇院及大都會歌劇院的歌劇演出。她尤其以詮釋馬勒的作品聞名,未來將與拉圖爵士指揮的柏林國家管絃樂團、唐諾.魯尼克斯爵士指揮的BBC蘇格蘭交響樂團,以及尤卡—佩卡.薩拉斯特指揮的赫爾辛基愛樂樂團合作演出。 Mezzo-soprano|Karen CARGILLPraised for her "dazzling" voice, with a "treacle-rich middle register" and a "full and rich top" , Karen CARGILL, one of the leading singers of her generation, regularly collaborates with conductors such as Sir Simon RATTLE, Daniel HARDING, Yannick NÉZET-SÉGUIN, Robin TICCIATI, Rafael PAYARE and Edward GARDNER. Her 2025/26 season highlights include operatic performances at the Canadian Opera Company and the Metropolitan Opera. Especially recognized for her interpretation of MAHLER, CARGILL will perform with the Staatskapelle Berlin conducted by Sir Simon RATTLE, with the BBCSSO under Sir Donald RUNNICLES, and w
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